Beethoven's String Quartet No. 10 in E-flat Major, Opus 74, was originally published in 1809 with the nickname "Harp" given by the publisher. This nickname is based on the impressions in the first movement with ascending arpeggios played pizzicato by alternating instruments. While portions of the work foreshadow things to come in Beethoven's late period, the fourth movement, with a traditional classical theme and variations form, stands out as a point of confusion to many Beethoven scholars. This is the Performer's Edition Pocket Score of the work, designed for easy transport in a case or compact carrying for study of the work.
Unexpected love-plus passion, intrigue, and danger-challenge our hero to embrace his true nature. #1 New York Times bestselling author Stephanie Laurens continues THE ADVENTURERS QUARTET, a riveting blend of Regency-era high seas adventure, a mystery shrouded in the heat of tropical jungles, and the passionate romances of four couples and their unexpected journeys into love. After a decade of captaining diplomatic voyages for Frobisher Shipping, alongside covert missions for the Crown, Captain Robert Frobisher decides that establishing a home-with hearth and wife-should be his next challenge. But an unexpected mission intervenes. Although Robert sees himself as a conservative businessman-cum-diplomat and this mission is far from his usual sphere, it nevertheless falls within the scope of his abilities. As matters are urgent, he agrees to depart for West Africa forthwith. To Robert, his way forward is clear: Get to Freetown, determine the location of a slavers' camp, return to London with the information, and then proceed to find himself a wife. Already in Freetown, Miss Aileen Hopkins is set on finding her younger brother Will, a naval lieutenant who has mysteriously disappeared. Find Will and rescue him; determined and resolute, Aileen is not about to allow anyone to turn her from her path. But all too quickly, that path grows dark and dangerous. And then Robert Frobisher appears and attempts to divert her in more ways than one. Accustomed to managing diplomats and bureaucrats, Robert discovers that manipulating a twenty-seven-year-old spinster lies outside his area of expertise. Prodded by an insistent need to protect Aileen, he realizes that joining forces with her is the surest path to meeting all the challenges before him-completing his mission, keeping her safe, and securing the woman he wants as his wife. But the villains strike and disrupt their careful plans-leaving Robert and Aileen no choice but to attempt a last throw of the dice to complete his mission and further her brother's rescue.
If novelist Paul Mark Scott (1920-1978) has secured a niche in English literature, it is on the merits of his Raj Quartet and its sequel, Staying On, for which he won the Booker Prize in 1977. Yet by the time he had published The Jewel in the Crown in 1966, he had supported his family on his writing for six years, worked as a literary advisor for several publishers, routinely written book reviews for The Times, the Guardian, the Daily Telegraph, and Country Life, and published eight novels. Scott's literary reputation was already considerable when, at the age of 44, he embarked on The Raj Quartet that would take up the last fourteen years of his life-a masterpiece that reinterpreted the major events of his generation and challenged his contemporaries to face the legacy of their past. Beginning in 1964, Scott negotiated with the Harry Ransom Research Center at The University of Texas-Austin for the purchase of his manuscripts. Later, when he was teaching creative writing at the University of Tulsa in 1976, he arranged to sell his letters to the archives at McFarlin Library. Many years after his death, David Higham Associates (the literary agency for which Scott worked from 1950-1960 and which acted as Scott's own agent until his death in 1978) sold archival materials to the Harry Ransom Center, University of Texas-Austin. Only a limited amount of material from McFarlin's Paul Scott Collection has been published to date. The David Higham Collection has not been systematically used until now. Together, the Tulsa and Austin Collections involve many thousands of Scott's professional and personal letters, to a large degree untapped by scholars of literature. In this two-volume collection, Janis Haswell makes available to the reading public for the first time several hundred letters from the Tulsa and Austin archives, as well as dozens of private letters to daughters Carol and Sally Scott. Scott's letters never disappoint. They are intriguing, well-penned and (in most cases) well-preserved in carbon form by Scott himself. They explore in depth and detail available nowhere else his view of the themes and structure of his novels; his experience and views of India; his dealings with publishers, agents, critics, readers, and writer friends (the likes of Muriel Spark, Gabriel Fielding, M. M. Kaye); his role as an agent and influential reviewer of fiction; his trials in supporting himself and family as a freelancer; his experience as a teacher in the United States; and his love and loyalty to family and friends.